The Exiled is the third novel by Kati Hiekkapelto (following on from The Hummingbird and The Defenceless) and continues the development of a complex and forthright detective and an outstanding crime writer. Right from the start this author has felt like she brings something different to the genre with her engaging female lead and sharp social conscience and these strengths are now set in compelling and rounded crime investigations.
The setting for this novel has changed from Anna Fekete’s adopted home of Finland to the Balkans, from where she was displaced as a child by war. Anna’s personal history as a refugee fuels both her struggle for identity, as she is pulled emotionally between these two very different cultures, and her empathy with outsiders in their various forms; and both of these aspects are crucial to Hiekkapelto’s writing. Throughout her work the dispossessed are humanised in direct contrast to the pervading Western media portrayal of the other.
The story begins with Anna visiting her family and friends in Kanisza, a Hungarian community within the borders of Serbia. Out with friends shortly after arriving ‘home’ her bag is snatched and later the thief is found dead. Although it seems like an opportunist robbery the discovery of a body pricks Anna’s detective interest and she starts to look for a trail. As obstacles are put in her way she begins to distrust the local authorities, scratching at their veneer, and a thread emerges running all the way back to the death of her father, also a police officer, many years before.
It is clear that Hiekkapelto is at home in this setting and as a result there is a satisfying feeling of immersion into the culture, with the various characters and archetypes feeling real and rounded. We also learn more about Anna herself as she mingles with childhood friends and rubs against the cultural norms that matter so much to her mother. The setting brings another dimension to Anna Fekete through both her pleasure and frustration with an alternative identity; her choices, others expectations, even the weather, this place is so different to the Finland of the first two books and as a result it poses questions.
This is the appeal of the Fekete novels; you have a tight procedural investigation that runs through an absorbing human narrative, connecting you empathetically with the real people that surround you, either in your own community or on your news channels. Maybe it is the combination of punk singer and special needs teacher that allows Kati to both energise the reader and open their eyes. Wherever it comes from this is a talent that is now in full bloom.